“She is living there now,” she remarked. In the obscurity in which it was now seen, it looked like a prison, and, indeed, it was Jonathan's fancy to make it resemble one as much as possible. Then she was out of the door and running, fast. One woman hit the ground running, Sebastian ran after her. Why should she trouble herself over that young fool, who was nothing to her; who, when he eventually sobered up, would not be able to recognize her, or if he did, as something phantasmagorical? Perhaps he should not apply the term "fool"; "unfortunate" might be the more accurate application.
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