” Elizabeth, the parlormaid, kept coming in to hand vegetables whenever there seemed a chance of Ann Veronica asking for an interview. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. I hope that she is okay.
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