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"Yesh," replied Abraham. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. The colour slowly left her cheeks, the lines of her mouth hardened. Like the parrot, she could memorize the lines, but she could not understand them. It was impossible. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. She knew the story only imperfectly, and followed it now with a passionate and deepening interest. Not so Gosse. She bound a scarf tightly round the place where the blood seemed to be coming from. Their conversation hung.
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