" "It is past," rejoined Lady Trafford, recovering herself by a powerful effort; "but never allude to the circumstance again. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Sheppard's dress—extremely neat and clean, but simply fashioned, and of the plainest and most unpretending material,—offered nothing assailable; and her demeanour was so humble, and her looks so modest, that—if she had been ill-looking—she might, possibly, have escaped the shafts of malice preparing to be levelled against her. Coarse as were the ruffian's notions of feminine beauty, he could not be insensible to the surpassing loveliness of the fair creature, who had thus solicited his attention. The bridge was open. Pole coolies came joggling along with bobbing blocks of jade—white jade, splashed and veined with translucent emerald green. Mrs. ‘Pray you, mademoiselle, can you not—’ ‘No use trying to enlist Lucilla’s aid,’ snapped Roding.
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