“Believe what, Michelle?” Lucy asked. It was a cheerful, irresponsible, shamelessly hard-up family in the key of faded green and flattened purple, and the girls went on from the High School to the Fadden Art School and a bright, eventful life of art student dances, Socialist meetings, theatre galleries, talking about work, and even, at intervals, work; and ever and again they drew Ann Veronica from her sound persistent industry into the circle of these experiences. They were going up the slope into Waterloo Station. It was at the age of five, when it became clear that she would not be followed by a brother, that he became more distant towards her and stopped adoring her.
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